Posts Tagged ‘technique’

QUICK MAKEUP TIP

TUTORIAL + PHOTOGRAPHY BY AMY NADINE, GRAPHIC DESIGN BY EUNICE CHUN

TUTORIAL + PHOTOGRAPHY BY AMY NADINE, GRAPHIC DESIGN BY EUNICE CHUN

Today’s tutorial is something I love because it’s like tying a look together with a bow. After you’ve completed your eyes, apply your blush as usual, then apply the same blush on the crease of your lids. Something really gorgeous happens when you do this and everything comes together in harmony. You must try it! Here’s how:

TOOLS:

STEPS:

  1. After you’ve applied foundation and completed your eye look, apply blush as usual.
  2. Now switch to an eyeshadow blending brush and swirl it in the same blush to load it up.
  3. Sweep the blush along the crease in a windshield-wiping motion.

That’s it! For those of you who love to know everything, this is the eye shadow palette ($$) I used, while this one ($) is a steal, and these are the lash strips.

 

QUICK TIP: CONTOURING

TUTORIAL + PHOTOGRAPHY BY AMY NADINE, GRAPHIC DESIGN BY EUNICE CHUN

TUTORIAL + PHOTOGRAPHY BY AMY NADINE, GRAPHIC DESIGN BY EUNICE CHUN

Over the last few years, contouring has become mainstream after decades of being a secret weapon that makeup artists learned in school to add dimensions back to the face after creating a blank canvas with foundation. I’m not gonna lie, it has gotten a little extreme for my taste but if you’re reading this here, your taste is a little more natural like mine. Anyway, today we’re sharing a contouring must that a lot of people don’t know about! When you sculpt your cheeks, it’s prettiest if you don’t bring the contour shading too far in. Why not? Because it ages you in a very unflattering way. We want to hollow out our cheeks but we need the suppleness of the apples to look healthy and young! And the easiest way to achieve this is to imagine a line from the end of your brow straight down your cheek then simply don’t cross it. Some makeup artists place the line at the arch of the brow, but my mentor and idol Mary Greenwell taught me one afternoon in Madrid never ┬áto bring it in that far, and I agree. And you don’t have to hold the brush up every time! Quickly you’ll be able to eye it. Here’s how:

TOOLS:

  • Your Favorite Contour Cream — I was so excited when this cream palette┬ácame out and it’s $40 off right now!
  • or Your Favorite Contour Powder — This iconic contour & highlighting palette has everything you’ll ever need in shades that work gorgeously on most skin tones; while this duo works well with your budget!
  • A Flat-Headed Contour Brush — I love this dual-ended slenderizer brush that really presses the product into the skin.
  • A Densely-Packed Blush Brush — the wavy soft fibers of this brush makes it like nothing you’ve ever used before. The best!

STEPS:

  1. Hold a brush or a pen/pencil perpendicularly straight down from the end of your brow as demonstrated with Lacy above. Make a mental note where it crosses your cheek area. If you need more than a mental image, you can use your non-dominant hand to hold the brush in place while you use your dominant hand to contour, but it doesn’t have to be exact or anything, so just eye it and you’re good.
  2. Now that you know how far to bring it, follow the hollow of your cheek (just under the cheekbone) inward and stop where the imaginary line is.
  3. Go back in the other direction and bring it all the way to the ear area so there isn’t a blank space there.
  4. Switch to the unused brush and blend it in by gently swirling over it until it’s half the intensity it was originally.

TBDImaginaryContourLineFINAL

QUICK TIP: SETTING POWDER

Post + Photography by Amy Nadine, Graphic Design by Eunice Chun

We spend a lot of time and precision applying foundation and concealer exactly where we want the most coverage, only to take a powder brush and swirl the foundation away from where we placed it. Not good! I learned this technique from one of my idols, Mary Greenwell, whom I was lucky enough to go on an international press tour with in 2007 where she was working on Cate Blanchett and I was working on Geoffrey Rush for their movie Elizabeth: The Golden Age. Anyway, as you can imagine she was incredible and lovely enough to teach me a few things about makeup (and life!). This little trick has saved me time and again. Here’s how: (more…)